Critical Thinking

Electronic Beatles used digital equipment to decorate their

 

Electronic music is separated from a variety of
genres because of the sound created, the digital model with various audio
reproduction tools, this system is often used with a computer with various
applications, but can also be created using drum devices and a midi sampler
and other production device.

 

Digital music played in the sixties, popular bands
along with The Seaside Boys and The Beatles used digital equipment to decorate
their tune-up sounds. Durance used their synthesizers in the 1980s, they began
to create a synthesizer pop scene and affected a lot of electrons -pop artists
today. Daft Punk has gained a reputation in the 1980s, songs from the second
album One Big Time have become mainstream clubs and mainstream hits, while Daft
Punk’s electronic song writing around the world was not upset because their
lives are showing off and even though they’re not working on their playlist,
their At the time of the action, the visual factors are emphasizing their
sounds, now robotic costumes are now synonymous with digital music and films
with Tron.

The artist I can pick and compare is SBTRKT and
justice

 

Justice the French duet, Gaspard Auge and Xavier de
Rosnay, produces a non-destructive home path with heavy rock and steel
influences. Their creation in 2003, they received 13 nominations and won five
awards with a beautiful video “D.A.N.C.E.”, this music is included in
the album “Cross”, an album that encourages them to be recognized.
They received a remix of many of the most popular artists, consisting of
Britney Spears and Daft Punk, and their remix MGMT received the Grammy Award.
Their singles were related to the famous Wii dance games, and their latest
release of Audio, Video, and Disco began in September and received four famous
people from their father or mother.

 

Of course, justice has a strong influence of rock
and metal on their photographic and musical styles; their production, which
consists of cutting basslines and distorting synthesizers, has created great
advertising, which is considered to be extremely powerful and ears split.

 

 

 

 

SBTRKT is also used as a pseudonym of Aaron Jerome
who is a very new artist, and what else in the words you call
“publish-dubstep” is the louder digital sound of the song, the
popular mantle, brittle elephants, small instruments, and the darker vibes of
his tune was. is constantly rotated through Radio One, and its variety of works
ranging from minimalist dubstep to electro to life with a hard disco.

SBTRKT is a nickname used to aid the idea of
anonymity, he stated in an interview that now he himself does not want to
interact as a person and let the musician speak for himself, he portrayed it as
his challenge, SBTRKT, which is expressed in a “subtract” call,
allows him to clearly state that his The song becomes independent of any
unmarried person or photo, unlike the duo of justice, as they appear as a rock
star’s way of life behind their tracks, their documentaries, The Cross
Universe, were made by a member of the Justice, gestured by women, that there
are whole breasts, pouring alcohol into pieces and taking a lot of pills. This
means that SBRTT is more prone to the land that lives behind the tracks, rather
than the way of life revealed by the trail of training, and justice is represented
as a duo that James dean -esque “method keeps the lifestyle fast, the young
philosophy passes, it shows their presence in me you show that they are doing
more than their lifestyle, and is also evident in their video surveillance
videos. The “Justice” shocked the musical video, as the rigorous Daft
Punk-esquerhythm was observed through intense and competitive visibility, which
caused a lot of controversy over the public, but director Romain Gavr was
acknowledged by his provocative videos and diverted others together with MIA
“Born free”. The “prints” correspond to a thorn gang
wearing the correct bomber waist when they terrorize the city, and this is the
population, the final result is a brutal 6 minute video that is
traumatic and beautiful to watch the same time. I think Justice has precisely
opted for a debatable director who creates a video that adds to the pressure
that the video adds to the album’s eyebrows, which is an essential part of the
artist’s need to remember in the song industry, Madonna is another artist who
Regularly started the songwriters under consideration and effectively kept the
flames of her career in pop, her films “Praying” and “Correcting
My Love” included both sexually explicit and provocative images, and Lady
Gaga artists, who are constantly pushing the boundaries, must Mostly Twitter’s
international audience seems to be completing the point that an important thing
for memory and achievement is the controversy and the implied behind the door
box and even hearing the innovation of the song industry. I think
that several artists follow a consistent desire to redraw all and various
things and themselves, and this has the potential to produce ridiculous
results, for example, the girl Gaga seems to have an infinite absurd absurd
idea that she enters into a movement, such as her husband alter – I guess if
this continues, it can eventually result in a result that will be unexpectedly
controlled, like Britney. I agree with justice that releases stress was a very
good permission to introduce justice to the main target audience, but I think
that they should not use the controversial song method because they will begin
to create a song and grow a picture to formulate the agenda is scandalous and
provocative, giving priority to their personal for the person and creating the
music they need.

 

The SBTRT is well suited to the song industry, he
himself has devoted a revolutionary photo and now wearing masks and lets his
mask become the face of his track, as justice, he usually turned to electronic
tune and stirred popular RnB genres, soul and dubstep created his own exact
combination, his best bet to maintain his fate, his debut SBTRKT received a 8.1
wake rating and his directions were defined as awesome; their live offers
include SBTRKT, using digital and acoustic drums, along with Sampha, Sample,
frequent collaborator, performs together with keyboards and adds vocal pieces.
The Pharaohs composition includes the popular soul performer Rose Gabour, a
video directed by Tim Brown, whose director Tinie Tempah, Pass Out, offers the
radio’s favourite radio favourite video. I think the video could have been
subject to additional restrictions, but there is a way far away now – a
lightweight but memorable video makes it more accessible to the audience, it
seems Rose Gabour is the front of the video clip, which translates the ideology
of SBTRKT to allow the language to be tuned , and not to him, as he created
instrumental and wrote lyrics, but he seems to be on the background of a
playlist, for a while, when he dj’ing his brand mask while Rose Gabour dances,
it means that the SBRTT needs to be scattered, but powerful.

To sum up, I
think both artists are great at looking at the type of electronic music
production, doing justice, writing dependencies on melodies in their
production, and avoiding the brothers’ boys market, it seems that many
electronics manufacturers, like justice, are tracking where there is a huge
macho. For example, artists , such as Skrillex, which also include the
influence of metal, seemed to have strayed from the ethics of electronic music,
where he and other electronic manufacturers created a new aetiology, where
there is always a struggle for the most unpredictable sound of the bass, but
actually the sound produced by them the modern electronic music is so frequent
that it almost seems soft and repetitive, justice preserves its unique element
of music and has created a different musical style, while the duo is
continually updated with a constantly changing electronic genre, but also adds
to her feelings, like the SBTRKT, who created a very unique musical style
which, bye ip i think will take the UK scene on the scene very quickly.